Vortex tells the story of Turk Findley, the protagonist introduced in Axis, who is transported ten thousand years into the future by the mysterious entities called "the Hypotheticals." In this future humanity exists on a chain of planets connected by Hypothetical gateways; but Earth itself is a dying world, effectively quarantined.

Turk and his young friend Isaac Dvali are taken up by a community of fanatics who use them to enable a passage to the dying Earth, where they believe a prophecy of human/Hypothetical contact will be fulfilled. The prophecy is only partly true, however, and Turk must unravel the truth about the nature and purpose of the Hypotheticals before they carry him on a journey through warped time to the end of the universe itself.

Vortex is thrilling and complex science fiction novel from Hugo Award-winning author Robert Charles Wilson.

"[The] weird, beautiful, unapologetically apocalyptic Last Policeman trilogy is one of my favorite mystery series."—John Green, author of The Fault in Our Stars and Paper Towns

Winner of the 2013 Edgar® Award Winner for Best Paperback Original!

What’s the point in solving murders if we’re all going to die soon, anyway?
 
Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact.
 
The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares.
 
The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered?

John C. Wright burst upon the SF scene a decade ago with the Golden Age trilogy, an innovative space opera. He went on to write fantasy novels, including the popular Orphans of Chaos trilogy. And now he returns to space opera in Count to a Trillion.

After the collapse of the world economy, a young boy grows up in what used to be Texas as a tough duellist for hire, the future equivalent of a hired gun. But even after the collapse, there is space travel, and he leaves Earth to have adventures in the really wide open spaces. But he is quickly catapulted into the more distant future, while humanity, and Artificial Intelligence, grows and changes and becomes a kind of superman.

The Golden Age is the most ambitious and impressive science fiction novel since China Miéville's Perdido Street Station. Amazingly, it is John C. Wright's debut novel.

In the far future, humans have become as gods: immortal, almost omnipotent, able to create new suns and resculpt body and mind. A trusting son of this future, Phaethon of Radamanthus House, discovers the rulers of the solar system have erased entire centuries from his mind. When he attempts to regain his lost memories, the whole society of the Golden Oecumene opposes him. Like his mythical namesake, Phaethon has flown too high and been cast down. He has committed the one act forbidden in his utopian universe. Now he must find out what it is—and who he is.

A novel influenced by Roger Zelazny, Jack Vance, and A.E. van Vogt, yet uniquely itself, The Golden Age presents a complex and thoroughly imagined future that will delight science fiction fans. John C. Wright has a gift for big, bold concepts and extrapolations, and his smoothly written novel pushes cyberpunk's infotech density to a new level, while abandoning cyberpunk's nihilistic noir tone for SF's original optimism. Big ideas are joined by big themes; Wright provocatively explores the nature of heroism, the nature of power, and the conflict between the rights of the individual and those of society.

Fiction as ambitious as The Golden Age is never flawless. Action fans will find this novel too talky. A change of quests late in the novel is jarring. And, while this Romance of the Far Future suitably examines the heroic virtues, its unfortunate subtext is "heroism is a guy thing." This far-future novel published in 2002 maintains a credulity-shattering mid-20th-century sexual status quo.

Not all plotlines are resolved in The Golden Age, and a sequel is forthcoming. —Cynthia Ward

Begun with The Golden Age, continued with The Phoenix Exultant, and now concluding in The Golden Transcendence, The Golden Age trilogy is Grand Space Opera, an SF adventure saga in the tradition of A. E. Van Gogt, Roger Zelazny and Cordwainer Smith. It is an astounding story of super-science, a thrilling wonder story that recaptures the elan of SF's golden age writers in the suspenseful and passionate tale of Phaeton, a lone rebel unhappy in utopia.

The end of the Millennium is imminent, when all minds, human, posthuman, cybernetic, sophotechnic, will be temporarily merged into one solar-system-spanning supermind called the Transcendence. This is not only the fulfillment of a thousand years of dreams, it is a day of doom, when the universal mind will pass judgment on the all the races of humanity and transhumanity.

The mighty ship Phoenix Exultant is at last in the hands of her master, Phaethon the Exile is at her helm and his dream of starflight in alive once more. He is being hunted by alien agents, the eerie and deadly Lords of the Silent Oecumene, who would steal the Phoenix Exultant and turn it into a weapon.

The all-encompassing Mind of the Golden Transcendence is waking. Will it endorse Phaeton's dream or face the first interstellar war?

The Phoenix Exultant is a continuation of the story begun in The Golden Age and like it, a grand space opera in the tradition of Jack Vance and Roger Zelazny (with a touch of Cordwainer Smith-style invention).

At the conclusion of the first book, Phaethon of Radamanthus House, was left an exile from his life of power and privilege. Now he embarks upon a quest across the transformed solar system—Jupiter is a second sun, Mars and Venus terraformed, humanity immortal—among humans, intelligent machines, and bizarre life forms, to recover his memory, to regain his place in society and to move that society away from stagnation and toward the stars. And most of all Phaethon's quest is to regain ownership of the magnificent starship, the Phoenix Exultant, the most wonderful ship ever built, and fly her to the stars.

The Phoenix Exultantis an astounding story of super science, a thrilling wonder story that recaptures the verve of SF's golden age writers It is a suitably grand and stirring fulfillment of the promise shown in The Golden Age and confirms John C. Wright as a major new talent in the field. He concludes the Golden Age trilogy in The Golden Transcendence.

National Book Foundation 5 Under 35 Award winner Charles Yu delivers his debut novel, a razor-sharp, ridiculously funny, and utterly touching story of a son searching for his father . . . through quantum space–time.
 
Minor Universe 31 is a vast story-space on the outskirts of fiction, where paradox fluctuates like the stock market, lonely sexbots beckon failed protagonists, and time travel is serious business. Every day, people get into time machines and try to do the one thing they should never do: change the past. That’s where Charles Yu, time travel technician—part counselor, part gadget repair man—steps in. He helps save people from themselves. Literally. When he’s not taking client calls or consoling his boss, Phil, who could really use an upgrade, Yu visits his mother (stuck in a one-hour cycle of time, she makes dinner over and over and over) and searches for his father, who invented time travel and then vanished. Accompanied by TAMMY, an operating system with low self-esteem, and Ed, a nonexistent but ontologically valid dog, Yu sets out, and back, and beyond, in order to find the one day where he and his father can meet in memory. He learns that the key may be found in a book he got from his future self. It’s called How to Live Safely in a Science Fictional Universe, and he’s the author. And somewhere inside it is the information that could help him—in fact it may even save his life.
 
Wildly new and adventurous, Yu’s debut is certain to send shock waves of wonder through literary space–time.